![]() |
| If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|||||||
| Tags: coordination, piece |
|
|
Thread Tools | Display Modes |
|
#1
|
|||
|
|||
|
Neil McDonald, in his book on the Middlegame, states that Piece
Coordination is the most important principle in chess. The problem is that the concept Piece Coordination is abstruse. About the only definition I could locate was in Hooper & Whyld: "the action of a player's pieces when they work together." Duh! Can anyone in the chess audience recommend some sources and/or definitions of piece coordination that are instructive and useful? Any help would be appreciated. |
| Ads |
|
#2
|
|||
|
|||
|
"drummerman" wrote:
.... Can anyone in the chess audience recommend some sources and/or definitions of piece coordination that are instructive and useful? .... Only by example. If you have a bishop and some pawns, it is generally better for the pawns and the bishop to be on opposite color squares. If they're all on the same color, you have no control over the squares of the other color. As an example, if you have king, bishop, d-pawn, and e-pawn, vs your opponent's king and bishop, with your and your opponent's bishops on opposite color squares, as soon as you put both of your pawns on the same color as your bishop, usually your winning chances vanish. All your opponent has to do is occupy the key squares of the opposite color with his K and B, and there's nothing you can do. If, by contrast, you leapfrog your pawns, keeping them on the opposite color from your bishop, you usually have good winning chances. Another example: a knight and a bishop work best together if they are on the SAME color, because then they control squares of opposite colors, leaving fewer "holes" nearby for your opponent's king to penetrate. If you look at any of the textbook solutions to K+B+N vs K , you'll find that the moves of the knight generally come in pairs, so that the B and N are on the same color most of the time. Similarly, of course, a knight and two (or more) pawns work best if the N and P's are all on the same color. A classic example of a king and knight working together to fend off a queen is: K on d3, N on d4, opponent's queen on d5. In this position, the queen has NO checks (worthy of the name) at all. Knights are good defenders against queens! Bill Smythe |
|
#3
|
|||
|
|||
|
"Bill Smythe" wrote in message
... "drummerman" wrote: .... Can anyone in the chess audience recommend some sources and/or definitions of piece coordination that are instructive and useful? .... IMHO: Try to understand the dynamic of Relative Value of each Chessmen and Squares Value as the game progresses (therefore varies from a given position to the next) coordination among pieces and their relation to the squares would then be intuitive. Second, try to figure out what those evaluation number mean and how a Chess Playing Program derived it (An area if well documented could help a Chess Player improve his game I suppose. Anyone know better of how the evaluation algorithm worked?). For a given position not all Chess Playing Programs gave the same evaluation point (otherwise a relatively same point but lost the game, why?) HTH. snip A classic example of a king and knight working together to fend off a queen is: K on d3, N on d4, opponent's queen on d5. In this position, the queen has NO checks (worthy of the name) at all. Knights are good defenders against queens! Where is my (winnning) Black King?... Bill Smythe, how could you??? Leaving the Queen unattained by her King but only the enemy Knight and King. CHESS VULGARISM at its best. ;-) Bill Smythe |
|
#4
|
|||
|
|||
|
you need to play more, then you'll twig what piece coordination is - you'll
get a game where all your pieces seem to be on great squares, the tactics just seem to flow and everything seems to work. Thats piece coordination IMHO the pieces are like your army, they all have to go into battle together and help each other reach the same end. Beginners tend to have a couple of pieces working (usually for a cheap mate) and all the other pieces sitting and watching from their original squares. "drummerman" wrote in message om... Neil McDonald, in his book on the Middlegame, states that Piece Coordination is the most important principle in chess. The problem is that the concept Piece Coordination is abstruse. About the only definition I could locate was in Hooper & Whyld: "the action of a player's pieces when they work together." Duh! Can anyone in the chess audience recommend some sources and/or definitions of piece coordination that are instructive and useful? Any help would be appreciated. |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| How electronic chessboards works | Cesar A. K. Grossmann | rec.games.chess.computer (Computer Chess) | 22 | February 19th 04 02:04 PM |
| How electronic chessboards works | Cesar A. K. Grossmann | rec.games.chess.misc (Chess General) | 22 | February 19th 04 02:04 PM |
| The King is a strong piece. | EZoto | rec.games.chess.misc (Chess General) | 15 | January 21st 04 06:28 PM |
| 6 piece Nalimov | Leonardo Ljubicic | rec.games.chess.computer (Computer Chess) | 6 | December 5th 03 11:27 PM |
| Evaluating coordination | Justin Sane | rec.games.chess.analysis (Chess Analysis) | 10 | July 29th 03 08:31 PM |